Along with many makers and producers who are responding to climate crisis and material shortage, the idea of producing yet more 'stuff' has forced me to think differently. As such, I am currently in the initial process of redesigning my practice to align with a zero-waste paradigm and researching how to incorporate waste materials from other industries into my practice, drawing on the incredible work of Sara Howard and her Circular Ceramics book.

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This is an ongoing process which aims to follow a regeneration model of practice and irradicate 'inbuilt obsolescence' in the objects I make. In practice this means embedding sustainability into any community art project undertaken and creating work on a commission basis only to minimise waste, conscious of the end life of objects made.